Let me introduce you to David the Letterman, who sees meaning not only hidden all over our modern art, but also down to the very glyphs that make up our language. It shows design, real intent in everything that we are pointing to what really separates "civilization" from social evolution itself--the foundation of language. I've commented before that this design doesn't just exist in the Latin alphabet--though that's where the majority of my story centers, but also in numerous other languages like Hebrew and Chinese.
So God made the vault and separated the water under the vault from the water above it. And it was so. Genesis 1:7
In our letters, I see some "Good News," though we won't get to an explanation of "the big N" for a little bit. J, for instance, connects to the Biblical phrase and meaning for "from the East," which describes both travel through time--and the connection between Heaven above and Hell below, by plotting these things on a co-ordinate plane and seeing a compass rose describing NEWS: North, East, South, and West.
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In modern art, you might see the story of "East of Eden" connecting to the word "Denzel," and wonder if we have already passed the place of happiness linking the lions of the tribe of Judah to "Family" in a den. I think we are just west of Eden, today... and it is the reception of the message I am bringing that breaks down the walled garden keeping us from that place. Denzel Washington links to this story in a few places, notably in his "Who-ah" (I think from Crimson Tide, meaningful to Adam... the red man) and also in the story of Fallen, which visually depicts the concept of the Lord of Hosts in what you might cal a "symbiotic relationship" with us--also seen in Stargate's "go'auld" and the character "Ra." In his name, like a few other modern words... Warden and Snowden, for instance... we see a linguistic connection to Adam's Eden and a story that ties incarceration to "Sam's Son" in the book of Judges--linking another character to the Jewish concept of the "72 names of God." At least, to my spin on the topic. Zel--the idea of "the Last El" ties to Zelda and to the Christian concept of "the Last Adam."
I have heard a voice.
This process of learning that this technology has plagued us from the days of the prophets all the way to the school shootings that tie us back to Exodus and the Plague of Killing the Firstborn.... this is what "the fire of the Apocalypse" and the parting of the sea is really about--realizing it's affecting more than meets the eye... and that the purpose of the Tribulation and the music is to ensure that we do not remain in a desert of understanding... a place akin to both the wandering and the Plague of Darkness of Exodus. It's also the path to "everyone being saved," to literally saving civilization from a future that is predestined and plagued by hidden slavery... the real "stuff" of this voice that many might think is "of God."
Everyone has got to be saved.
That's what this is, our world... a sort of incubator for civilization, one designed from our past futures to ensure that we do not descend in a Downward Spiral to darkness. To ensure that this doesn't happen, the world really needs to see what this technology is, how subtle it can be and how keeping it secret is without doubt something we would not want... if we really understood.
If you don't really get it, the connection to AMD, to Zelda, and to a number of computing concepts like Artificial Intelligence ... through names like Kurzweil and I.J. Good are part of a pattern of seeing markers of science and technology coming from above... patterns you might see in Isaac Newton's ("new to n?") Apple and the year 1666. Get it, because the apple fell from the sky and hit him on the head--it's knowledge of the Laws of the Universe linked to Trinity college--not the "fall of a man." Look, everyone's rising--it's just a matter of perspective.
In that "lil n" you might see "what goes up must come down." In the Greek letter that I've named my website after... Lamda... you see the same thing--and my initials in the heart. Of course, my twist on the symbol that graces the walls of Half-Life like you might see Emmanuel Goldstein's face on the walls of 1984... is to break the darkness and c the Light.
In the TLD for Los Angeles, the city of Angels, stopping the fall and going the other way.. the rest of the "Big N" that's where we are in the map of "IJOHNNY5" above. Another religious link to modern art through lightning striking the rod of Herod and RattleRod ... and you might see "Johnny 5 is alive" as a tie through "Just Tonight" to Staind's "outside," and behold, I was dead and now I am alive forevermore.
That "t" is a depiction of the cross of Adam, a battle depicted in Judges, Genesis, Isaiah, and the Gospels about our court system, about surveillance, about our handling of heinous crimes... and seeing how knowledge of these hidden technologies, ones that it is the purpose of all religion to reveal... makes the world a better place, almost just by knowing. It's clear as day, to see time travel and mind control linked to religion through nothing more than... "divine inspiration," "demonic possession," and prophesy. In the signs of Venus, Uranus, Mars, Sagittarius... we see it pointing "up."
... so that the entire world will see the proof in words like kismet--meant to be; for us all to exit the wilderness of Exodus--of not knowing that 40 and 4-D have something to do with days and nights and years and ... freedom.
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